See this Sound

Linz 09

 

Supported by funding from Linz 2009 - European Capital of Culture

Project Directors: Dieter Daniels, Sandra Naumann
Project Team: Mario Röhrle, Jan Thoben, Bernhard Pusch, Heike Helfert, Michaela Schörflinger, Adam Dörflinger, Carolina Hubelnig, Linda Thalmann, Dietmar Offenhuber , Stefan Schilcher
Cooperation Partner: Lentos Art Museum Linz, 5uper.net, Vienna

Project Period: 11/2006 - 12/2009
Project Objective: exhibition, conference, catalogue, scholarly publication and web platform

Project Description

 

The project explores the present and the past of the connection of image and sound in art, media and perception.

The starting point for this is the fact that our world of experience today is characterized by an omnipresence of audiovisual products and structures, in which cultural image and sound production is inextricably intertwined in terms of media technology, market strategy, and artistically. “See this Sound” reacts to this by presenting and discussing various realizations of contemporary art and art studies. The current fields of reference range from pop culture to theories of perception and media technology.

A thematic review of the historical deep layers of acoustic and optical culture and their radical transformation in the past 150 years forms the background for considering current developments. At the same time, we reflect on the omnipresence of audiovisual products that we experience everywhere – and often merely tolerate – but whose framework conditions or possible alternatives are not immediately visible or audible. Complex and surprising aesthetic experiences are created through the contextualized presentation of multifaceted works rich in references by contemporary artists, and processes of cultural insight are set in motion. The aim of the project is to link contemporary visual art and media art together with historical predecessors and aspects external to art.

Strategically, the project “See this Sound” stands for the function of the Institute as an intersection between the fields of contemporary art and media art, art history and media theory. In light of a growing tendency since the late 1990s towards a divergence of the respective discourses and increasing specialization with equally different audience segments, participating in a major, audience-magnet event presents an opportunity for the Institute to set this dialogue between media art and contemporary art in motion again.


Exhibition in the Lentos Art Museum Linz «See this Sound – Promises of Image and Sound» - 28. Aug. 2009 - 10. Jan. 2010

The exhibition in the Lentos Art Museum will make several central aspects of the manifold relations between image and sound accessible in an interdisciplinary way, bringing together exemplary artistic works and cultural history perspectives. The cooperation with the Ludwig Boltzmann Institute Media.Art.Research enables the integration of specific media history issues and research approaches in the exhibition. The exhibition shows technical, perception-related and media-reflexive aspects of the coupling of image and sound from the beginnings up to the present, as well as important poetic conceptual positions that are important for contemporary visual artists. This constellation will enable them to mutually contour and illuminate one another.

Online platform of the Ludwig Boltzmann Institute Media.Art.Research. «See this Sound - Audiovisualogy»


The scholarly interdisciplinary and artistic genre-crossing character of the project is expressed particularly in the framework of an online platform on the subject of sound-image relations (bilingual German-English).
This interdisciplinary field of knowledge has previously only been developed from the perspective of different fields of expertise. For this reason, the audio-visual lexicon pursues the goal of establishing a cross-disciplinary knowledge base of image-sound relations with contributions from experts. Experts from art history, musicology, film theory, media studies, theater studies, pop theory, cognitive psychology and neurology contribute their respective perspectives to an “audiovisualogy” as a cross-section of these academic fields. Text contributions from research work at the institute will be conjoined here with contributions from external authors.
The entire spectrum of audiovisual arts and phenomena will be represented in a lexicon-type form through a total of 35 historical longitudinal sections and systematic cross-sections. Interdisciplinary themes will be examined in depth in longer essays. Examples of work will be audiovisually documented and academically commented and contextualized. Audiovisuality is thus both the theme and the method of the online platform. The mutually complementary lexicon entries linked with key words and time sections and the audiovisual examples of work result in a totality opening up new conjunctions of meanings. This procedure also enables the overlapping and networking of artistic and scholarly elements of the project and the development of new ways of the multimedia communication and representation of science and art. An interface developed at the institute in collaboration with the line of research “Knowledge Representation and Visualization” will connect the online platform with the exhibition.
www.see-this-sound.at

Conference of the Ludwig Boltzmann Institute Media.Art.Reserach. «See this Sound – Sound-Image Relations in Art and Media»

An interdisciplinary exchange among the theoretical and aesthetic thematic fields of the project is the goal of an international conference of the institute. The conference touches on the points of contact among various academic disciplines, including art and music studies, media and art theory, media archeology and the history of technology. Artistic presentations will also be integrated in the course of the conference to stimulate a dialogue between art and science (see symposium).

 

Academic Publications of the Ludwig Boltzmann Institute Media.Art.Research.

In addition to being published online, the compendium as well as the essays from the online platform will each be published in book form. 

Resources

Selected Books

2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1987 1985 1984 1983 1981 1980 1977 1976 1975 1970 1947 1927 1926 1895

2008

Design als Rhetorik : Grundlagen, Positionen, Fallstudien
Susanne Dickel, Arne Scheuermann, Gesche Joost
Synästhesie-Effekte
Robin Curtis, Marc Glöde, Gertrud Koch
The Cinematic Experience : Sonic Acts XII
Arie Altena [Ed.], Boris Debackere [Ed.]

2007

Kunst im Quadrat : Plattencover 1960 - 2005
Heiko Hasenbein, Hildegard Wiewelhove
LIFE – fluid, invisible, inaudible…
Yukiko Shikata [Ed.], Kenichiro Kobunai [Ed.], Shunichi Shiba [Ed.]
MaerzMusik 2007 : Festival für aktuelle Musik
Berliner Festspiele [Ed.], Barbara Barthelmes [Compilation]
Sound & Vision
Luca Beatrice [Ed.]
VJ : Audio-Visual Art + VJ Culture
Michael Faulkner [Ed.], D-Fuse [Ed.]

2006

Jenseits des Kinos : die Kunst der Projektion
Joachim Jäger, Stan Douglas, Manuela Ammer
MaerzMusik 2006 : Festival für aktuelle Musik
Berliner Festspiele [Ed.], Barbara Barthelmes [Compilation]
Sonambiente Berlin 2006 : Klang-Kunst, Sound Art
Helga Motte-Haber, de la, Matthias Osterwold, Georg Weckwerth
Thomas Wilfred’s Clavilux
Michael Betancourt [Ed.], Thomas Wilfred
vE-jA : Art + Technology of Live Audio-Video
Xarene Eskandar [Ed.], Prisna Nuengsigkapian [Ed.]

2005

MaerzMusik 2005 : Festival für aktuelle Musik
Berliner Festspiele [Ed.], Barbara Barthelmes [Compilation]
The Haight-Ashbury
Charles Perry
Visual Music : Synaesthesia in Art and Music Since 1900
Kerry Brougher, Jeremy Strick, Ari Wiseman, Judith Zilczer
Vorgemischte Welt
Klaus Sander
White Noise
Ernest Edmonds [Ed.], Mike Stubbs [Ed.]

2004

ipeg : bild.ton.msschine
Peter Lang [Ed.], Künstlerhaus Bethanien [Ed.]
MaerzMusik 2004 : Festival für aktuelle Musik
Berliner Festspiele [Ed.], Barbara Barthelmes [Compilation]
Media Synaesthetics : Konturen einer physiologischen Medienästhetik
Christian Filk, Michael Lommel, Mike Sandbothe
Sons & Lumières : Une histoire du son dans l’art du XXe siècle
Centre Pompidou, Paris [Ed.], Sophie Duplaix [Ed.]
Visual Music Instrument Patents
Michael Betancourt [Ed.]

2003

MaerzMusik 2003 : Festival für aktuelle Musik
Berliner Festspiele [Ed.], Volker Straebel [Compilation], Julia Gerlach [Compilation]
Pop sounds
Thomas Phleps, Ralf von Appen
Popvisionen : Links in die Zukunft
Klaus Neumann-Braun [Ed.], Axel Schmidt [Ed.], Manfred Mai [Ed.]
X-Screen : Filmische Installationen und Aktionen der Sechziger- und Siebzigerjahre
Matthias Michalka [Ed.], Museum Moderner Kunst Stiftung Ludwig Wien [Ed.]

2002

Resonanzen
Bernd Schulz

2001

18. Musik-Biennale Berlin 2001 : Internationales Fest für zeitgenössische Musik
Berliner Festspiele [Ed.], Habakuk Traber [Compilation]

2000

1999

gelbe MUSIK : 14 / 1999
Ursula Block [Ed.]

1998

Crossings : Kunst zum Hören und Sehen
Cathrin Pichler [Ed.], Kunsthalle Wien [Ed.]

1997

gelbe MUSIK : 13 / 1997
Ursula Block [Ed.]
Ocean of sound
David Toop
Synaesthesia : Classic and Contemporary Readings
Simon Baron-Cohen [Ed.], John E. Harrison [Ed.]

1996

1995

1994

Visueller Sound : Musikvideos zwischen Avantgarde und Mainstream
Cecilia Hausheer [Ed.], Annette Schönholzer [Ed.]

1993

Sound & Vision : Musikvideo und Filmkunst
Deutsches Filmmuseum Frankfurt a.M. [Ed.], Herbert Gehr [Compilation]
Sound & Vision : The Music Video Reader
Simon Frith [Ed.], Andrew Goodwin [Ed.], Lawrence Grossberg [Ed.]

1992

1991

1990

1989

Art of Music Video
Michael Nash [Ed.]
Broken Music : Artist’s Recordworks
Ursula Block [Ed.], Michael Glasmeier [Ed.]

1987

Art into Pop
Simon Frith, Howard Horne
Clip, Klapp, Bum : Von der visuellen Musik zum Musikvideo
Veruschka Bódy [Ed.], Peter Weibel [Ed.]

1985

1984

Het Lumineuze beeld
Dorine Mignot

1983

Der Hang zum Gesamtkunstwerk
Harald Szeemann, Susanne Häni

1981

1980

1977

Abstract Film and Beyond
Malcolm Le Grice

1976

1975

Sehen um zu hören : Objekte & Konzerte zur visuellen Musik der 60ger Jahre
Städtische Kunsthalle Düsseldorf [Ed.], Inge Baecker [Compilation], John Matheson [Compilation]

1970

Expanded cinema
Gene Youngblood

1947

1927

Malerei Fotografie Film
László Moholy-Nagy

1926

1895

Colour-Music : The Art of Mobile Colour
Alexander Wallace Rimington